Insert
The source that follows is:
- Source A: 19th-century prose fiction
- Désirée's Baby by Kate Chopin
An extract from a work first published in 1893.
This extract is taken from Kate Chopin’s Désirée’s Baby. It depicts a domestic scene at the Aubigny plantation, exposing social expectations, status and control in the household, and hinting at pressures around identity and belonging that will unsettle relationships.
Source A
1 Mr. Pontellier scanned the names of his wife’s callers, reading some of them aloud, with comments as he read. “‘The Misses Delasidas.’ I worked a big deal in futures for their father this morning; nice girls; it’s time they were getting married. ‘Mrs. Belthrop.’ I
6 tell you what it is, Edna; you can’t afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You’d better write her a note. ‘Mrs. James Highcamp.’ Hugh! the less you have to do with Mrs. Highcamp, the better. ‘Madame Laforcé.’ Came all the way from Carrolton, too, poor old soul. ‘Miss Wiggs,’ ‘Mrs. Eleanor
11 Boltons.’” He pushed the cards aside. “Mercy!” exclaimed Edna, who had been fuming. “Why are you taking the thing so seriously and making such a fuss over it?”
16 “I’m not making any fuss over it. But it’s just such seeming trifles that we’ve got to take seriously; such things count.” The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy,
21 and he did not like the manner in which the vegetables were served. “It seems to me,” he said, “we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect.”
26 “You used to think the cook was a treasure,” returned Edna, indifferently. “Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn’t look after the clerks in my office, just let them run things their own
31 way; they’d soon make a nice mess of me and my business.” “Where are you going?” asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup.
36 “I’m going to get my dinner at the club. Good night.” He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any
41 desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name.
46 But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed.
51 It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and
56 tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its
61 whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon
66 the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear.
71 A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. “A vase fell upon the hearth,” said Edna. “Never mind; leave it till morning.”
76 “Oh! you might get some of the glass in your feet, ma’am,” insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. “And here’s your ring, ma’am, under the chair.”
81 Edna held out her hand, and taking the ring, slipped it upon her finger.
Questions
Instructions
- Answer all questions.
- Use black ink or black ball point pen.
- Fill in the boxes on this page.
- You must answer the questions in the spaces provided.
- Do not write outside the box around each page or on blank pages.
- Do all rough work in this book. Cross through any work you do not want to be marked.
- You must refer to the insert booklet provided.
- You must not use a dictionary.
Information
- The marks for questions are shown in brackets.
- Time allowed: 1 hour 45 minutes
- The maximum mark for this paper is 80.
- There are 40 marks for Section A and 40 marks for Section B.
- You are reminded of the need for good English and clear presentation in your answers.
- You will be assessed on the quality of your reading in Section A.
- You will be assessed on the quality of your writing in Section B.
Advice
- You are advised to spend about 15 minutes reading through the source and all five questions you have to answer.
- You should make sure you leave sufficient time to check your answers.
Section A: Reading
Answer all questions in this section. You are advised to spend about 45 minutes on this section.
Question 1
Read again the first part of the source, from lines 1 to 5.
Answer all parts of this question.
Choose one answer for each question.
1.1 What did Mr. Pontellier scan at the start?
- the callers’ names
- the ledger’s figures
- the menu’s items
[1 mark]
1.2 How did Mr. Pontellier read some of the names?
- aloud, with comments
- quietly, with comments
- aloud, without comments
[1 mark]
1.3 What kind of deal did Mr. Pontellier say he worked for the Misses Delasidas’ father?
- a big deal in futures
- a big deal in shipping
- a big deal in railways
[1 mark]
1.4 What did Mr. Pontellier say about the Misses Delasidas?
- nice girls; it’s time they were getting married
- nice girls; it’s time they were going away
- nice girls; it’s time they were writing letters
[1 mark]
Question 2
Look in detail at this extract, from lines 1 to 81 of the source:
1 Mr. Pontellier scanned the names of his wife’s callers, reading some of them aloud, with comments as he read. “‘The Misses Delasidas.’ I worked a big deal in futures for their father this morning; nice girls; it’s time they were getting married. ‘Mrs. Belthrop.’ I
6 tell you what it is, Edna; you can’t afford to snub Mrs. Belthrop. Why, Belthrop could buy and sell us ten times over. His business is worth a good, round sum to me. You’d better write her a note. ‘Mrs. James Highcamp.’ Hugh! the less you have to do with Mrs. Highcamp, the better. ‘Madame Laforcé.’ Came all the way from Carrolton, too, poor old soul. ‘Miss Wiggs,’ ‘Mrs. Eleanor
11 Boltons.’” He pushed the cards aside. “Mercy!” exclaimed Edna, who had been fuming. “Why are you taking the thing so seriously and making such a fuss over it?”
16 “I’m not making any fuss over it. But it’s just such seeming trifles that we’ve got to take seriously; such things count.” The fish was scorched. Mr. Pontellier would not touch it. Edna said she did not mind a little scorched taste. The roast was in some way not to his fancy,
21 and he did not like the manner in which the vegetables were served. “It seems to me,” he said, “we spend money enough in this house to procure at least one meal a day which a man could eat and retain his self-respect.”
26 “You used to think the cook was a treasure,” returned Edna, indifferently. “Perhaps she was when she first came; but cooks are only human. They need looking after, like any other class of persons that you employ. Suppose I didn’t look after the clerks in my office, just let them run things their own
31 way; they’d soon make a nice mess of me and my business.” “Where are you going?” asked Edna, seeing that her husband arose from table without having eaten a morsel except a taste of the highly-seasoned soup.
36 “I’m going to get my dinner at the club. Good night.” He went into the hall, took his hat and stick from the stand, and left the house. She was somewhat familiar with such scenes. They had often made her very unhappy. On a few previous occasions she had been completely deprived of any
41 desire to finish her dinner. Sometimes she had gone into the kitchen to administer a tardy rebuke to the cook. Once she went to her room and studied the cookbook during an entire evening, finally writing out a menu for the week, which left her harassed with a feeling that, after all, she had accomplished no good that was worth the name.
46 But that evening Edna finished her dinner alone, with forced deliberation. Her face was flushed and her eyes flamed with some inward fire that lighted them. After finishing her dinner she went to her room, having instructed the boy to tell any other callers that she was indisposed.
51 It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and
56 tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro down its
61 whole length without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there, she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon
66 the little glittering circlet. In a sweeping passion she seized a glass vase from the table and flung it upon the tiles of the hearth. She wanted to destroy something. The crash and clatter were what she wanted to hear.
71 A maid, alarmed at the din of breaking glass, entered the room to discover what was the matter. “A vase fell upon the hearth,” said Edna. “Never mind; leave it till morning.”
76 “Oh! you might get some of the glass in your feet, ma’am,” insisted the young woman, picking up bits of the broken vase that were scattered upon the carpet. “And here’s your ring, ma’am, under the chair.”
81 Edna held out her hand, and taking the ring, slipped it upon her finger.
How does the writer use language here to present Mr. Pontellier’s attitude to the callers and Edna’s response? You could include the writer’s choice of:
- words and phrases
- language features and techniques
- sentence forms.
[8 marks]
Question 3
You now need to think about the structure of the source as a whole. This text is from the middle of a novel.
How has the writer structured the text to create a sense of alienation?
You could write about:
- how alienation intensifies throughout the source
- how the writer uses structure to create an effect
- the writer's use of any other structural features, such as changes in mood, tone or perspective.
[8 marks]
Question 4
For this question focus on the second part of the source, from line 16 to the end.
In this part of the source, where Edna fails to break her wedding ring, her violent anger seems powerless. The writer suggests that her marriage is an unbreakable trap that she cannot escape from.
To what extent do you agree and/or disagree with this statement?
In your response, you could:
- consider your impressions of Edna's angry outburst and her powerlessness
- comment on the methods the writer uses to suggest her marriage is an unbreakable trap
- support your response with references to the text.
[20 marks]
Question 5
Your local wildlife trust is running a creative writing week and invites short entries from students.
Choose one of the options below for your entry.
-
Option A: Describe an urban fox moving through back gardens from your imagination. You may choose to use the picture provided for ideas:
-
Option B: Write the opening of a story about a strange footprint that changes everything.
(24 marks for content and organisation, 16 marks for technical accuracy)
[40 marks]